Date of Award
Winter 10-20-2019
Document Type
Dissertation
Degree Name
Doctorate of Education, Ed.D.
College
College of Education
Department
Education
First Advisor
Belle B. Booker- Zorigian, Ph.D.
Second Advisor
Joanna Gilmore, Ph.D.
Third Advisor
Tony Goss, Ph.D.
Abstract
This study sought to explore the problem of student retention in music, specifically between eighth and ninth grade. The purpose of this study was to investigate whether there is a relationship between eighth-grade band students’ self-efficacy beliefs and their desire to participate in band. Bandura’s (1977) four sources of self-efficacy (mastery experiences, vicarious experiences, verbal/ social persuasions, and students’ physiological state) were the theoretical framework that guided this study. The participants in this study consisted of 68 eighth grade band students who had at least one year of band experience. This quantitative study used the Music Performance Self-Efficacy Scale, specially designed by Zelenak (2010), to measure Bandura’s (1977) four sources of self-efficacy and examine whether there is a relationship between self-efficacy belief and students’ desire to continue in band. A qualitative component of post survey interviews was added to gain deeper understanding of middle school band students and their self-efficacy beliefs. The quantitative results of this study indicated there is no statistically significant relationship between students’ self-efficacy beliefs and their desire to participate in band. However, the qualitative results did indicate that students’ self-efficacy beliefs did influence their decision to continue in band. This study may help music educators understand student self-efficacy beliefs, adding to the body of knowledge.
Recommended Citation
Levine, J. (2019). Bridging the Gap: Self-Efficacy and the Desire to Continue in Music Education (Thesis, Concordia University, St. Paul). Retrieved from https://digitalcommons.csp.edu/cup_commons_grad_edd/415Included in
Education Commons, Music Education Commons, Music Performance Commons, Music Practice Commons